🍿 ‘Hotel Costiera’: Luxury, Mystery, and Jesse Williams in Full Hero Mode

📆 Release: September 24, 2025
🎭 Genre: #Action · #Thriller
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Jesse Williams (Grey’s Anatomy) finally gets the leading role he deserves in ‘Hotel Costiera’, a slick thriller set against the stunning backdrop of Italy’s Amalfi Coast. He plays Daniel De Luca, a half-Italian ex-Marine working as a fixer at one of the world’s most exclusive hotels. But when the owner's daughter vanishes, Daniel takes matters into his own hands to bring her back, no matter the cost.🇮🇹

This feels like Magnum P.I. meets The White Lotus, with a dash of Ocean’s 13. Sleek visuals, a fresh international cast, yacht brawls, and Jesse rocking the “Bond-meets-Bourne” vibe make it a must-watch. 🥃💥

What I love most? It's tight: just six episodes, no fluff, all punch. If Prime Video keeps delivering like this, my subscription's safe.
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🍿 Nuremberg: Rami Malek Faces the Most Dangerous Mind of Nazism

📆 Release: November 7, 2025
🎭 Genre: #Historical · #Drama · #Thriller
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James Vanderbilt, screenwriter of Zodiac and also responsible for disasters like Independence Day: Resurgence, takes the director’s chair with this intense drama about the trials that changed history. Rami Malek (Bohemian Rhapsody, Mr. Robot) plays psychiatrist Douglas Kelley, obsessed with deciphering the mind of Hermann Göring, portrayed by Russell Crowe, whose German in the trailer has already sparked controversy 😬.

What we get is a psychological duel closer to a thriller than an academic biopic, with Michael Shannon as the relentless prosecutor Robert H. Jackson. The real question is whether the film will capture the solemn tone the subject demands or slip into “faux prestige” with a dressed-up blockbuster feel.

Personally, I’m intrigued by Malek’s ambition to portray a man consumed by his attempt to understand evil in its purest form, though I fear Crowe’s accent and a somewhat artificial aesthetic might break the immersion. Still, the premise that evil is the absence of empathy feels chillingly relevant today. 🕰⚖️
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🎥 Steve Carell was already Brick Tamland before he even got the part

Steve Carell’s audition for Anchorman: The Legend of Ron Burgundy is raw, unfiltered physical comedy at its best. In just over a minute, he turns an invisible falafel into a hilariously chaotic moment with absurdity, wild facial contortions, and a manic laugh straight out of The Mask 🥴.

What’s wild is that the scene didn’t make the final cut and was later included in Wake Up, Ron Burgundy. Still, watching it makes it crystal clear why Brick Tamland became iconic. Carell doesn’t just nail the tone, he defines it. #Legendary #Auditions #movies
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🍿 ‘28 Years Later: The Bone Temple’ is shaping up to be the wild and dangerous cousin of the saga

📆 Release: January 16, 2026
🎭 Genre: #Horror · #SciFi · #Thriller
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This direct sequel to 28 Years Later hits the gas from the first minute and never looks back. With Nia DaCosta (Candyman) in the director’s chair and Alex Garland (Ex Machina, Annihilation) on the script, the movie breaks away from the previous film’s emotional tone and dives headfirst into a savage, absurd, and fascinating dystopia.

Ralph Fiennes (The English Patient, The Grand Budapest Hotel) returns as the enigmatic Dr. Kelson, who develops a disturbing relationship with the brutal Samson — the Alpha infected. Meanwhile, Spike (Alfie Williams) is caught between two worlds: the doctor’s, and that of sadistic cult leader Jimmy Crystal (Jack O’Connell), flanked by his gang of platinum-blonde tracksuit-wearing “Jimmies” with a chilling Jimmy Savile inspired look… 🧥🩵

I like how it redefines the enemy: here, the humans are scarier than the infected. Visually, it seems less striking than 28 Years Later.
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Forwarded from películas y series 🍿 (garcia)
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🍿 ‘Springsteen: Deliver Me from Nowhere’: the day Bruce chose silence over stadiums

📆 Release: October 24, 2025
🎭 Genre: #Drama · #Musical · #Biopic
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Scott Cooper’s new film (Crazy Heart, Hostiles) isn’t just another biopic. It locks us in with Springsteen in 1982 and turns Nebraska into a story about artistic choices and inner ghosts. I love that the trailer pulses with Atlantic City instead of falling back on the cliché of Born in the U.S.A.; that tight focus reminds me of the best parts of Love & Mercy. Jeremy Allen White (The Bear, The Iron Claw) nails the introspection, though at times I feel it’s “too much Jeremy” and not enough Boss; plus, the dialogue editing in the trailer feels chopped up and unnatural. 🤏🎙

What works in its favor is the austere texture that mirrors the album’s lo-fi spirit and the promise of avoiding the “Wikipedia set to music” trap that so many of us got tired of after Walk Hard. It arrives with ovations at Telluride and a 100% Rotten Tomatoes score; now it’s up to Cooper to find “something real” (as Bruce himself says) and not get stuck in imitation. If he pulls it off, this could be the bold outlier of the genre. 🎸🖤
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🍿 ‘Anaconda’: the most absurd comedy that was screaming for a reboot 🐍😂

📆 Release: December 25, 2025
🎭 Genre: #Comedy · #Adventure · #MetaCinema
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Jack Black (Jumanji: Welcome to the Jungle) and Paul Rudd (Ant-Man) dive headfirst into the jungle in this reimagining of the 1997 classic that nobody asked for… but now I can’t wait to see. The premise is ridiculous: two friends decide to shoot their own homemade version of Anaconda, until fiction turns into reality when a real monster shows up among the vines and mosquitoes. 😄

Tom Gormican, who already toyed with meta-humor in The Unbearable Weight of Massive Talent, turns the reboot into a satire about impossible film shoots. It doesn’t take itself seriously for a second: Jack Black running like a maniac, Steve Zahn completely unhinged, and a remix of Baby Got Back that turns the trailer into pure madness.

What grabs me most is its stupidity. Instead of a serious remake, Sony bets on laughing at itself. And honestly, I’d take this kind of chaos 100 times over another soulless copy.
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Forwarded from AI Post — Artificial Intelligence
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If you thought birth rates were low already, just wait until they perfect those bots. 😐

@aipost 🪙 | Our X 🥇
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🍿 The Chair Company: Tim Robinson Turns Office Life Into a Hotbed of Conspiracies

📆 Premiere: October 13, 2025
🎭 Genre: #Comedy · #Conspiracy
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Tim Robinson, the mastermind behind I Think You Should Leave and Detroiters, is back with a show that feels like a sketch stretched to the max… but with the ambition of an HBO thriller. In The Chair Company, he plays William Ronald Trosper, an office worker who, after a humiliating disaster at work, finds himself unraveling a criminal conspiracy as absurd as it is unsettling. 🤯🪑

The trailer is packed with rapid-fire one-liners, cartoonish facial expressions, and Robinson’s trademark obsession with bleak middle-class workplaces where misery flips into dark comedy.

What I love most is how Robinson moves away from the usual “rich people intrigue” à la Succession and instead zeroes in on the mindset of the alienated office drone. That lens on the hopeless everyman feels as necessary as it is hilarious. If you ever thought a chair could be the center of the universe, this show is here to prove it. 🔥
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Forwarded from games & play 👾 (garcia)
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Forget the launch day hype, patience means enjoying the game at its best. 🕹️
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🍿 Avatar: Fire and Ash: the fire nation strikes Pandora 🌋

📆 Release: December 19, 2025
🎭 Genre: #SciFi · #Adventure
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The new Avatar trailer proves James Cameron isn’t slowing down. This third chapter introduces the Fire Na’vi, the Ash People, led by Varang (Oona Chaplin) and allied with the villainous Quaritch (Stephen Lang). Jake (Sam Worthington) and Neytiri (Zoe Saldaña) are still scarred by Neteyam’s death while facing an enemy that’s Na’vi themselves.

The footage teases aerial, oceanic and volcanic battles, with the crab mechs stealing the spotlight 🦀⚙️. Visually, it’s another Weta feast, though the trailer feels chaotic and gives away a lot. The most intriguing hint is that humans may soon breathe Pandora’s air, a twist that could reshape the entire saga.

Cameron already proved with Aliens, Titanic and The Abyss that no one stages action like him. The story may echo familiar beats, but when James Horner’s score, reimagined by Simon Franglen, swells and Toruk Makto appears, the goosebumps are undeniable. Never bet against Cameron. 🎥
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🍿 Frankenstein: Guillermo del Toro’s Most Anticipated Monster

📆 Release: October 17 in theaters · November 7 on Netflix
🎭 Genre: #Drama · #Horror · #SciFi
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After more than three decades reinventing the figure of the monster (from The Devil’s Backbone to The Shape of Water), Guillermo del Toro is finally taking on the mother of all stories: Frankenstein. Oscar Isaac plays Victor Frankenstein and Jacob Elordi surprises as the Creature, built from the remains of Crimean War soldiers, in a version as melancholic as it is brutal. Mia Goth, Christoph Waltz, and Charles Dance round out a cast that screams awards season gold. ⚡️

Del Toro has also addressed a long-pending matter in his career: his dreamed adaptation of At the Mountains of Madness, H. P. Lovecraft’s famous novella. It was one of his most personal projects and he spent more than a decade trying to make it happen with James Cameron as producer, but studios always considered it too expensive and too adult. Now the director admits he won’t pursue it anymore, leaving it as the great impossible film of his career.

I’ve watched the trailer several times and, although some shots carry that divisive “Netflix look” 📺, I can’t deny there are images that burn into your mind (that angel of death or the monster capsizing a ship are pure del Toro iconography). 🖤
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🍿 Steve: Cillian Murphy against the system and his own demons

📆 Premiere: October 3, 2025 (Netflix)
🎭 Genre: #Drama · #ComingOfAge
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What a delight to see Cillian Murphy in such a raw and fragile role after the whirlwind of Oppenheimer. Here, he reunites with Tim Mielants (Small Things Like These) to portray the headmaster of a reform school in the ’90s, a worn-out man fighting against the institution’s imminent closure while battling his own inner struggles. Opposite him, Jay Lycurgo (Last Swim) plays Shy, a teenager caught between the violence of his past and the uncertainty of his future.

Director Mielants really convinces here, having worked with the boys in intensive workshops so that their real lives would bleed into their characters. 🎬 The score by Ben Salisbury and Geoff Barrow promises that electrifying yet sensitive touch that always hooks me.

Behind its simple title lies a complex portrait of forgotten youth, education as refuge, and the power of not having to face life alone.
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🍿 ‘Young Washington’: the hero who started a war before starting his own 🇺🇸🔥

📆 Release: July 3, 2026
🎭 Genre: #Historical · #Drama · #Biopic
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Angel Studios is getting ahead of the U.S. Semiquincentennial with a lavish production that aims to turn young George Washington into the new icon of cinematic patriotism. Directed by Jon Erwin (‘The Jesus Revolution’), the film portrays the future president —played by William Franklyn-Miller— in the midst of the French and Indian War, surrounded by gunpowder, mud, and choices that would shape a continent. 💥

The trailer promises epic scale, faith, and fiery speeches, but it smells more like ‘The Patriot’ than a history lesson. With Mary-Louise Parker, Kelsey Grammer, Andy Serkis, and Ben Kingsley rounding out the cast, the film is clearly aiming to repeat the box-office miracle of ‘Sound of Freedom’ —though many are already raising an eyebrow at the Angel Studios label: propaganda wrapped in glossy celluloid.

Personally, I’m curious to see how they’ll polish (or not) the image of a reckless, slave-owning Washington who helped ignite a war. It may end up being a patriotic version of Young Hercules, but I have to admit — the historical intrigue is definitely there. ⚔️
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🍿 ‘Send Help’: Sam Raimi Turns a Deserted Island into a Psychological Battlefield 🌴💀

📆 Release: January 30, 2026
🎭 Genre: #Horror · #DarkComedy · #PsychologicalThriller
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Sam Raimi —the mastermind behind The Evil Dead and the original Spider-Man trilogy— returns to his wildest roots with Send Help, his first non-franchise horror film since Drag Me to Hell. Rachel McAdams (Spotlight, Mean Girls) stars as Linda, an underappreciated employee stranded on an island with her boss from hell, Bradley (Dylan O’Brien, The Maze Runner), after surviving a plane crash. What begins as a survival story quickly turns into a darkly funny, blood-soaked power struggle for dominance.

What fascinates me most is how Raimi flips the hierarchy: the underdog becomes the predator 💪. Many are calling it a mix between Misery, Cast Away, and Triangle of Sadness —but with Raimi’s signature flair: grotesque, frantic, and wickedly fun. McAdams promises a full-on “Regina George in survival mode” performance, and that alone is worth the ticket. Raimi is back, and horror is groovy again.
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🍿 ‘Primate’: The Killer Ape Hollywood Has Been Afraid to Make 🐒🔪

📆 Release: January 9, 2026
🎭 Genre: #Horror · #DarkComedy
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Johannes Roberts (47 Meters Down, The Strangers: Prey at Night) directs this story about a group of friends enjoying a tropical getaway—until their family pet, a chimp named Ben, goes berserk after being bitten by something mysterious. What follows is ninety minutes of chaos, screams, and blood under the Hawaiian sun. ☀️💉

The trailer leans into the same absurd horror vibe that made M3GAN a hit and clearly nods to the chimp scene from Nope. The blend of terror and comedy is so shameless you’re never sure whether to laugh or hide behind your hands.

A brutal warning about human arrogance in trying to tame the wild… yet also proof that watching a monkey unlock a car with a key fob can be terrifyingly fun. 🧠💀
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🍿 ‘Tim Burton: Life in the Line’ – The Gothic Genius Unmasked 🕯🎩

📆 Premiere: October 23, 2025
🎭 Genre: #Documentary · #Biography
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Tara Wood —the filmmaker behind ‘QT8: The First Eight’ and ‘21 Years: Richard Linklater’— now dives into the most poetic and shadowy corner of cinema: Tim Burton’s world. ‘Tim Burton: Life in the Line’ is a four-part docuseries tracing his journey from his misfit days at Disney to the triumphs of ‘Batman’ (1989), ‘Edward Scissorhands’, and ‘The Nightmare Before Christmas’, all the way to his comeback with Netflix’s ‘Wednesday’. 🦇

The project promises unseen footage, rare sketches, and intimate testimonies from Burton’s closest collaborators: Johnny Depp, Winona Ryder, Helena Bonham Carter, Michael Keaton, Danny Elfman, and Jenna Ortega among others. It’s a gathering of kindred spirits who help decode the mind of cinema’s most beloved outsider —the man who turned weirdness into beauty.

For me, what’s truly captivating is how this docuseries seems to reconcile Burton the man with Burton the myth. Some may say we already know his story, but his universe still pulses between melancholy and imagination. And yes… I’ll always dream of that Batman trilogy we never got. 🖤🎬
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2025/10/24 01:07:26
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