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Germany's most famous cist grave is at Anderlingen. A Bronze age cairn barrow built 1400 BC contemporary with Sweden's Nordic Bronze Age Kivik grave. One of the slabs has similar petroglyphs on it like at Kivik.

The site was reused by pagan Saxons in the late 400's AD at a time contemporary with the migrations to England. The burial deposits here are similar to those from pagan England. Saxon finds include two vessels, likely urns, and a pair of raven brooches (see pic)
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In a recent talk for Harvard, geneticist Patterson says Yamnaya should be seen simply as late Sredny Stog
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Forwarded from TheBeakerLady
Burial of an Afanasievo adult and child. Burials of children with adults is seen in many other steppe cultures such as Yamnaya and Corded Ware derived groups.

Photo by Alexey Kovalev.

https://commons.wikimedia.org/wiki/File:Afanasievo_burial_in_kurgan_Khuurai.jpg#mw-jump-to-license
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Various German zierscheiben (ornamental discs) from Germanischer Schmuck by Rudolf Helm
A fifth century Germanic woman with apotropaic charms dangling from her hip, including crystals and bronze zierscheiben
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"Where you see evil, call it evil, and give your enemies no peace." -Óðinn, Hávamál Stanza 127

Music: WodenWyrd - Gēr
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My son admires the Bronze age petroglyphs carved by his Swedish ancestors
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Forwarded from Vault of Secrets - Unpopular History (M Himself)
"The Temple of Vesta was a circular structure, originally a replica of a stone circle (stelae) temple as sighted after sunrise, in which the perpetual fire [sacred fire] was renewed on the first of March, the ancient Roman New Year." (Wirth, 1934)

Photos: 1. Roman coin with the word "Vesta" and the sacred fire at a round shrine 2. Carroll, J. (2019). Temple of Vesta at Tivoli, Italy. 3. Archeological site of Gobekli Tepe.

Herman Wirth (1934). "The Rise of Mankind."
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… initiatory death is often symbolized, for example, by darkness, by cosmic night, by the telluric womb, the hut, the belly of a monster.

All these images express regression to a preformal state, to a latent mode of being (complementary to the precosmogonic Chaos), rather than total annihilation (in the sense in which, for example, a member of the modern societies conceives death).

These images and symbols of ritual death are inextricably connected with germination, with embryology; they already indicate a new life in course of preparation.

Obviously, as we shall show later, there are valuations of initiatory death - for example, joining the company of the dead and the Ancestors.

But here again we can discern the same symbolism of the beginning: the beginning of spiritual life, made possible in this case by a meeting with spirits.

For archaic thought, then, man is made - he does not make himself all by himself. It is the old initiates, the spiritual masters, who make him.

But these masters apply what was revealed to them at the beginning of Time by the Supernatural Beings.

They are only the representatives of those Beings; indeed, in many cases they incarnate them.


Rites and Symbols of Initiation: The Mysteries of Birth and Rebirth, Mircea Eliade
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Anglo-Saxon axe shaped mount featuring a man in meditative posture surrounded by serpents (of Hel?) - is this Woden communing with the dead? In the National Museum of Wales, Cardiff.
Alternative interpretations of this artefact. Kevin of Fortress of Lugh has pointed out that the seated figure appears to have his hands behind his back as though bound.

Being bound among snakes is a Germanic punishment in this world and the next and could mean this is Loki, Wayland or Gunnar - all of whom have such stories associated with them.

But the axe shaped mount itself has an apotropaic function so the figure surely also assists this. If it is Woden or an acolyte performing utiseta among wyrms of Hell, then that makes sense. Perhaps a depiction of a bound Loki also assists in binding and controlling other malevolent entities?
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New Srubnaya discovery
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Forwarded from ЧП САМАРА
На территории «Преображенки-2» обнаружили человеческие кости 😱

Археологи обнаружили древние курганы. Находки включают человеческие останки, бронзовые ножи, украшения и глиняные сосуды, принадлежавшие представителям срубной культуры эпохи поздней бронзы.

Возраст захоронений оценивается примерно в 3500 лет — они современники египетских пирамид. Все артефакты после изучения пополнят музейные фонды региона и помогут лучше понять историю волжских земель.

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2025/10/20 00:40:23
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