Survive the Jive: All-feed
A deep dive on a new paper which seeks to "challenge" preconceived notions of Anglo-Saxon England which was apparently "diverse" because out of the hundreds of skeletons analysed from the period, two have been found with 1/4 African ancestry. I explain who…
This timeline of events shows how Updown girl is a product of the Christian incursions into Kent and the contemporary persecution of the pagans there.
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This bracteate from Ravlunda in Scania, Sweden has quite a special design.
A warrior wearing a visored helmet has a spirit beast emerging from his head. In his right hand he holds a raven which seems to speak to him. A horse with stylised bird like legs is in front of him - potentially reflecting a vehicle for spirit-travel typical of shamans. The raven, horse beast, and the three dots by the hip are all seen on many other bracteates but the visored helm is unusual.
A warrior wearing a visored helmet has a spirit beast emerging from his head. In his right hand he holds a raven which seems to speak to him. A horse with stylised bird like legs is in front of him - potentially reflecting a vehicle for spirit-travel typical of shamans. The raven, horse beast, and the three dots by the hip are all seen on many other bracteates but the visored helm is unusual.
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The Germanic substrate hypothesis is outdated and isn’t really a thing https://youtu.be/X-Pa5Zo__js?feature=shared
YouTube
The Germanic Substrate Theory
The idea that Proto-Germanic had substantial influence from Pre-IE substrate languages has been around for a very long time and still pops up in discussions about the development of the language, with claims about upwards to a 1/3 of Germanic words being…
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Why did Bronze age Britons destroy weapons? https://youtu.be/zO7U5E5EY6g?feature=shared
YouTube
“Fragments of the Bronze Age” by Dr Matt Knight
“Fragments of the Bronze Age. The destruction and deposition of metalwork in Britain.” by Dr Matt Knight FSAScot, Curator of Prehistory at National Museums Scotland.
This lecture was recorded 9 March 2020 by Mallard Productions Ltd.
The recording is made…
This lecture was recorded 9 March 2020 by Mallard Productions Ltd.
The recording is made…
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Pliny records good boys among the Germanic tribes:
“We have heard accounts of a dog that fought to defend its master from brigands. Although covered in wounds it would not leave his master's corpse and fought to keep away birds and other scavenging animals. Another dog, Epirus, recognised his master's murderer in a gathering of people and by snapping and barking at him, made him confess his crime. (...) When the Cimbri men were killed, their dogs still defended the wagons on which they had their homes.”
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Natural History, 8.61
“We have heard accounts of a dog that fought to defend its master from brigands. Although covered in wounds it would not leave his master's corpse and fought to keep away birds and other scavenging animals. Another dog, Epirus, recognised his master's murderer in a gathering of people and by snapping and barking at him, made him confess his crime. (...) When the Cimbri men were killed, their dogs still defended the wagons on which they had their homes.”
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Natural History, 8.61
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“We can see the effect that endurance can have on people when we observe foreign nations who labour extensively, wear minimal clothing, and live with few necessities. Look at the nations that dwell north of the Roman Empire.
I mean the Germans and all the nomad tribes who wage war against us along the Danube. They suffer from extended winters and dismal climates. Their sparse soil only grudgingly gives them sustenance.
They keep the rain off their dwellings with bundles of leaves or thatch.
Yet they can sprint across the frozen marshes when hunting wild beasts for food. Do you think they are unhappy? There can be no unhappiness in performing a role that repetition has made part of nature and necessity.
…Their climate is harsh and terrible, but their exposed bodies are accustomed to enduring these extremes. What you think of as hardship, is merely the usual mode of life of all these people (the northern Europeans).”
Seneca, On Providence, 1.4
I mean the Germans and all the nomad tribes who wage war against us along the Danube. They suffer from extended winters and dismal climates. Their sparse soil only grudgingly gives them sustenance.
They keep the rain off their dwellings with bundles of leaves or thatch.
Yet they can sprint across the frozen marshes when hunting wild beasts for food. Do you think they are unhappy? There can be no unhappiness in performing a role that repetition has made part of nature and necessity.
…Their climate is harsh and terrible, but their exposed bodies are accustomed to enduring these extremes. What you think of as hardship, is merely the usual mode of life of all these people (the northern Europeans).”
Seneca, On Providence, 1.4
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I read a theory that this was made by a captured Roman smith who was carried back to Germania and forced to make Germanic style ornaments. While Germans near the limes were content to raid metal items, those further away may have stolen artisans and taken them as far as Scandinavia to create Roman-quality goods in the third century
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Forwarded from Survive the Jive: All-feed
Two Roman-Iron-Age gilt discs from the Thorsberg Moor have differently decorated outer areas: the less well preserved one has animals (deer) while the other has a complicated combination of Germanic and Roman imagery.
A reclining Romanesque figure bearing a sceptre appears in each of the four section. Is it a god? It resembles Wodenic kings of later bracteates.
A combination of the same animals known from the earlier Nordic Bronze age solar drama are also depicted. 1. fish+horse. 2.duck+horse 3. ?+horse. 4. duck+fish.
Each of the quadrants is separated by a solar disc motif. This shows a unique transitionary stage in Germanic art with BA elements, Roman elements and the beginning of what would become the Germanic animal style.
A reclining Romanesque figure bearing a sceptre appears in each of the four section. Is it a god? It resembles Wodenic kings of later bracteates.
A combination of the same animals known from the earlier Nordic Bronze age solar drama are also depicted. 1. fish+horse. 2.duck+horse 3. ?+horse. 4. duck+fish.
Each of the quadrants is separated by a solar disc motif. This shows a unique transitionary stage in Germanic art with BA elements, Roman elements and the beginning of what would become the Germanic animal style.
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Survive the Jive: All-feed
I read a theory that this was made by a captured Roman smith who was carried back to Germania and forced to make Germanic style ornaments. While Germans near the limes were content to raid metal items, those further away may have stolen artisans and taken…
The theory that Germanics took artisans like this is by Haselhoff (1981). The claim that this artefact was specifically created by a Roman artisan in a Germanic environment is from Carnap-Bornheim (1997) and Blankenfeldt (2015)
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Survive the Jive: All-feed
The theory that Germanics took artisans like this is by Haselhoff (1981). The claim that this artefact was specifically created by a Roman artisan in a Germanic environment is from Carnap-Bornheim (1997) and Blankenfeldt (2015)
www.academia.edu
R. Blankenfeldt, "Weapon deposits in the "Thorsberger Moor" - 150 years of research and new perspectives. In: I. Khrapunov u. F…
Academia.edu is a platform for academics to share research papers.
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In the Old Saxon Heliand, an adaptation of the Gospel written around 800 AD to convert Saxon Heathens, Jesus is depicted as being very Odinic in several scenes, and in others just like a typical Saxon lord.
In fit 57, Jesus climbs a mountain, pours a drink and makes a toast to his god, saying;
drinku ina thi te [diurðu,]
drohtin frô mîn,
"I drink it to you as honour, drohtin,
my Lord!"
This reveals typical conduct of a Saxon toward his Lord, but also perhaps to his gods.
In fit 57, Jesus climbs a mountain, pours a drink and makes a toast to his god, saying;
drinku ina thi te [diurðu,]
drohtin frô mîn,
"I drink it to you as honour, drohtin,
my Lord!"
This reveals typical conduct of a Saxon toward his Lord, but also perhaps to his gods.
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Forwarded from Þórr siðr
Depiction of how the Sutton Hoo axe-hammer may have been used in the context of animal sacrifice.
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