Already tomorrow is the first day in Melbourne (Australia) of my solo exhibition "NOISE"
More than half of the paintings and sculptures are already sold, was on the radio on Australia's main SBS TV channel,
Saw thousands of bats in the park in the trees.
More than half of the paintings and sculptures are already sold, was on the radio on Australia's main SBS TV channel,
Saw thousands of bats in the park in the trees.
❤28👍8👏6🔥5🕊2
A short story about Australia
and the nature of my project.
First it is important to realise that the "NOISE" exhibition was born as an extension of my artistic style of "survitrialism", where technology, distortions of reality (dreams) and physical presence are the foundation upon which all my work sprouts. My new exhibition is created in partnership with the diffusion model, where first there was noise and then form, literally like our imagination. Imagine! My skills learnt at the academy, where light shading, anatomy, construction were used on equal footing with artificial intelligence and the knowledge I have been acquiring for the last 1.5 years (subsequently shared with you on courses).
Regarding the warm and incredibly powerful meeting at the Beinart gallery in Melbourne: Yes! I seem to have found the best way to feel at home everywhere, just imagine hundreds of people in one of the most distant places in the world came to the exhibition, spent their day off on me, gave me attention, their eyes, questions, smiles, stood in the queue before the opening and literally scorched with happiness, with joy that there is no corner in the world where I will not be welcome, where I will not find my friends. I even managed to do 2 different interviews for Australia's main TV channel SBS, which you can listen to at this and this link.
and the nature of my project.
First it is important to realise that the "NOISE" exhibition was born as an extension of my artistic style of "survitrialism", where technology, distortions of reality (dreams) and physical presence are the foundation upon which all my work sprouts. My new exhibition is created in partnership with the diffusion model, where first there was noise and then form, literally like our imagination. Imagine! My skills learnt at the academy, where light shading, anatomy, construction were used on equal footing with artificial intelligence and the knowledge I have been acquiring for the last 1.5 years (subsequently shared with you on courses).
Regarding the warm and incredibly powerful meeting at the Beinart gallery in Melbourne: Yes! I seem to have found the best way to feel at home everywhere, just imagine hundreds of people in one of the most distant places in the world came to the exhibition, spent their day off on me, gave me attention, their eyes, questions, smiles, stood in the queue before the opening and literally scorched with happiness, with joy that there is no corner in the world where I will not be welcome, where I will not find my friends. I even managed to do 2 different interviews for Australia's main TV channel SBS, which you can listen to at this and this link.
❤13👍10🔥4❤🔥2👏1
It seems like I just flew to Australia and I'm already back in Bangkok. In fact, it's been 20 days since I've been here, alone. Time has lost its meaning.
Hi, it's Ellen.
Yes, looking at the dates, I really have been away for a long time. But for me, it feels like yesterday. It seems like only yesterday I was writing to you, and between "yesterday" and "today" I moved into my workshop.
My first workshop in 29 years and 10 months. I've never organised my space separately from my home, and now I've realised that I have a place for everyone.
Artist's Notes:
- For 3 weeks I've been working on the concept of new paintings and destroying them. I can't get the gist of the idea. What do the paintings mean to me, what do I want to say with them? So today I threw out all the sketches again and started over.
- My schedule: no phone, email, calls or friends from 9am to 5pm weekdays. Of course I stay longer, sometimes until 1 a.m., but I never leave early.
- Weekends are a time for myself. I lock my studio door and don't come back until Monday.
- Sundays are dedicated to photography: I'm thinking up sets or processing the backlog of images.
The workshop experience is incredible: here I can be afraid, make mistakes and start again, because tomorrow will be my 9am to 5pm time again.
And I really want to talk to you, send me questions and I'll try to answer them, maybe I have something to tell you.
Hi, it's Ellen.
Yes, looking at the dates, I really have been away for a long time. But for me, it feels like yesterday. It seems like only yesterday I was writing to you, and between "yesterday" and "today" I moved into my workshop.
My first workshop in 29 years and 10 months. I've never organised my space separately from my home, and now I've realised that I have a place for everyone.
Artist's Notes:
- For 3 weeks I've been working on the concept of new paintings and destroying them. I can't get the gist of the idea. What do the paintings mean to me, what do I want to say with them? So today I threw out all the sketches again and started over.
- My schedule: no phone, email, calls or friends from 9am to 5pm weekdays. Of course I stay longer, sometimes until 1 a.m., but I never leave early.
- Weekends are a time for myself. I lock my studio door and don't come back until Monday.
- Sundays are dedicated to photography: I'm thinking up sets or processing the backlog of images.
The workshop experience is incredible: here I can be afraid, make mistakes and start again, because tomorrow will be my 9am to 5pm time again.
And I really want to talk to you, send me questions and I'll try to answer them, maybe I have something to tell you.
❤23❤🔥9🔥5👏2